Poet Ruth Stone was born in Roanoke, Virginia, in 1915 and attended the University of Illinois at Urbana-Champaign. She lived in a rural farmhouse in Vermont for much of her life and received widespread recognition relatively late with the publication of Ordinary Words (1999). The book won the National Book Critics Circle Award and was soon followed by other award-winning collections, including In the Next Galaxy (2002), winner of the National Book Award; In the Dark (2004); and What Love Comes To: New & Selected Poems (2008), a finalist for the Pulitzer Prize. Stone’s compact lyrics are known for their accuracy, strangeness, and ability to speak to domestic concerns and metaphysical problems at once.
Stone’s other honors and awards include two Guggenheim Fellowships, the Bess Hokin Prize, the Wallace Stevens Award, the Shelley Memorial Award, and the Walter Cerf Award for Lifetime Achievement in the Arts. The author of 13 books of poetry, Ruth Stone died in late 2011.
A collection of poems that give rich drama to ordinary experience, deepening our sense of what it means to be human.--Pulitzer Prize finalist citation
There is a broad, powerful streak of independence--even disobedience--that runs through Stone's writing and has inspired a great number of women after her.--Guardian
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Ordinary Words is the luminous, wild, and lyrical collection of poetry that brought Ruth Stone the critical acclaim she long deserved with the National Book Critics Circle Award, and it paved the way to the National Book Award and long-deserved critical attention. Ordinary Words captures a unique vision of Americana, marked by Stone's characteristic wit, poignancy, and lyricism.
The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia's structure, criteria for inclusion and other information specific to the field of ethnomusicology.
Explores key themes in African music that have emerged in recent years-a subject usually neglected in country-by-country coverage
emphasizes the contexts of musical performance-unlike studies that offer static interpretations isolated from other performing traditions
Ruth Stone has rightly been called America's Akhmatova, and she is considered Mother Poet to many contemporary writers. In this, her eighth volume, she writes with crackling intelligence, interrogating history from the vantage point of an aging and impoverished woman. Wise, sardonic, crafty, and misleadingly simple, Stone loves heavy themes but loathes heavy poems.